I was an everyman and I was the person who could have been running a food stand or a bodega or an auto mechanic shop or any business. “So then you don't ever get an opportunity, which we never should, to go, ‘I know exactly who that guy is as soon as I look.’ So contrary to that, I wanted to make sure that I was an everyday-er. And a couple of weeks later, you're watching the news, and you go, ‘That's the guy who I was just having the. Then you get on the train, and you go home. “You have just a regular conversation with the guy at a bar. And how about you?’ ‘Well, your family- oh, that's a beautiful- oh, you're married with children.’ It's kind of an international business, and I work with people, and my family's important to me. And when you're sitting, you have a conversation with a guy, and he tells you what he does, and he says, ‘Oh, I have my own business. You're at the local bar having a beer before the train comes. “You're at Penn Station waiting for the train to go home. (Photo by Mike Coppola/Getty Images) Getty Images NEW YORK, NEW YORK - APRIL 21: Bruno Bichir and Felix Solis attend the Netflix's "Ozark" Season 4. “Meaning, I was hoping - as the character continued to develop and as I was asked to come back and do more episodes and continue and so on and so forth - I was hoping to try and develop a person that would have this kind of scenario. I completely removed any judgement of who I thought this person might be and instead said to myself, ‘Who is this person to other people?’ “Well, the first, immediate bullet to the head of an actor is to make a judgement on the character they're playing,” Solis said. Once Felix had his reference point for Omar, it was easy for him to jump into the character without evaluating his unfathomable crimes and both the looming danger he presented to people like the Byrdes and faced himself, from his enemies. So how do we then play it to the most interesting level, how do we play it to the most unexpected level?” No matter how you play the scene, the scene still ends with somebody getting shot. “So to add to it or feel like you have to contribute something to it is, for me, unnecessary because it's already there. (Photo by Michael Tullberg/Getty Images) Getty Images annual Dynamic and Diverse Celebration at Saban Media Center on Septemin North Hollywood, California. NORTH HOLLYWOOD, CA - SEPTEMBER 12: Felix Solis attends the Television Academy and SAG-AFTRA's 5th. which is if on the page, someone gets shot in the head, I can't do anything about that. “I knew that I could call upon my own life experience for certain moments in the script. So I don't necessarily need to look for those. I've had to just because of my life and who I am. I've had to be around people who're insisting and scary and dangerous. I do know what it's like to have people look up to you and look for answers when there's a problem going on. That's not to say that I went out and I started dealing drugs, but I do know what it's like to run a business. Seven more - which don't have a release date yet - will reveal what the writers of the show have in mind, and how cunning they are relative to the world of criminals they've created.“And also, too, sometimes, I'm a reference type actor, where I believe that you really don't have a true opportunity to do a scene or a moment to the best of its ability if you don't have some kind of a reference. These seven episodes will presumably start to answer all these questions. Perhaps with Ruth as the fulcrum: Would Marty let Wendy have Ruth killed, given that he feels largely responsible for dragging Ruth into all this? Would Wendy let Marty have Ruth killed, given the guilt she already feels and her apparent belief that Marty is the cause of everybody's problems in the first place? It often feels like Ozark must all be building to some massive test of their true feelings for each other - whether they will join together or turn on each other if the purely pragmatic "trust" between them shatters. Would Marty let Wendy die? Would Wendy let Marty die? She did, after all, essentially have her own brother killed, and she loved him. But how much either of these people would risk for each other, if the choice to do so were presented straightforwardly, is not clear. Since then, the marriage has seemed at times to be merely an arrangement (they've as much as said so) and has seemed at other times to contain genuine affection. The very first conflict introduced in Ozark's complicated history - ever - was Marty's discovery that Wendy was cheating on him. Jason Bateman and Laura Linney as Marty and Wendy Byrde.
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